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	  <h4>    用最短的句子，写最深的情</h4>
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    <div class="blog-item"> <img class="single_image" src="images/松尾芭蕉.png" width="280" height="180" alt="blog1" />
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        <h2>松尾芭蕉</h2>
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        <p>松尾芭蕉是江户时代前期的一位俳谐师的署名。他公认的功绩是把俳句形式推向顶峰，但是在他生活的时代，芭蕉以作为俳谐连歌诗人而著称松尾芭蕉将一般轻松诙谐的喜剧诗句提升为正式形式的诗体──俳句，并在诗作中灌输了禅的意境。事实上他多数俳句的前三行为长连歌组成而不是各别单独的作品。松尾芭蕉被后人称为“俳圣”。</p>
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		 <h2>小林一茶</h2>
        <p>小林一茶生于信浓国水内郡柏原村的一个农民家庭里。十岁即开始学习俳谐。由于他的动荡不安的经历，一茶的俳句有着自己鲜明的风格。有人评论他，说"自嘲自笑，不是乐天，不是厌世，逸气超然。"小林一茶俳句特点：一，表现对强者的反抗。二，对弱者的同情。他的俳谐富有个性，巧妙地运用方言俗语，对于小鸟也都倾注同情，表现了人道主义思想。</p>
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		  <h2>与谢芜村</h2>
        <p>与谢芜村提倡“离俗论”，反对耽于私情、沾染庸俗风气的俳谐，致力于“回到芭蕉去”。但他的“离俗”意图导致脱离现实和沉溺于古典的倾向，缺乏芭蕉的人民性和现实性。他的俳句扩大了题材范围，表现手法也更为细致。他的《悼念北寿老仙》和《春风马堤曲》被视为一种自由诗式的韵文作品，为日本近代新体诗的先声。</p>
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